Duckstein calls

William Reinicke

Well-known member
Supporter
There is some true talent in this place. True workmanship in every facet on this forum. From decoys to boats (especially boats, SERIOUS talent) to Eric overhauling every piece of old machinery he gets his hands on. If there is one thing I love in life (besides the world of waterfowl) it is the ability to build and create with hands. A lot of times, I feel that im an old soul in a younger generation. I get lost in a shop before I sit in front of a screen. A big reason why im losing interest in bass fishing is because if you arent good with manipulating a lure in front of a screen, you aren't catching bass at a competitive level anymore. The ability to CREATE and work at a craftmanship level with your hands is a dying art in so many ways. Its no secret I was run off from elsewhere and landed here, and its been a true joy here. Every other thread it seems someone is doing something cool in their little work area. Fantastic stuff here!

With that said, Ive become really good friends with a New Yorker who just does wild and cool things with a duck call. I know, theres a million makers out there. Don't get me wrong, a call can look amazing but the juice is in the toneboard. I was on the hunt to get away from mainstream calls. I am always trying to do something a little different and im certainly not afraid to venture outside the box of "normal" in anything i do. I stumbled across one of Doug's calls and he sent me one of his very first. He kept telling me he had a toneboard he loved but wasn't sure. I had tried MANY no name calls, some catching traction, some still unknown to this day. The very first time I blew his call, I knew there was some magic in the toneboard and he had something. Primarily the hold he had built into the call. I tune all my own calls, even if they come from some of the best tuners in the world. I also have some different reed material that I run in all my calls, no mylar for me anymore. Don't ask, I truly dont know what it is, different story for a different day.

Doug is truly a master for doing different things with material in his calls. Over the last two years, he has refined and made his calls even better in the hand by reshaping and making easier to manipulate around the barrel. He works with the absolute best materials. His calls originally caught my attention because of the ebonite he was able to get his hands on. Then the custom micarta he was using. It intrigued me that he was already using materials that others were using, but his was just of much better quality or way cooler designs. He pushes the envelope by making his own custom bands now, and has recently started pressing coins to make his own bands on calls. His calls just get sweeter and sweeter as time goes on. He is being mentored by some of the best in the game. Best of all, hes an absolute joy of a person and shares the same passion we all do, killing a few ducks and enjoying time with family. But most of all, hes just an a craftsman at heart. Im not asking anyone to go buy any of his calls, but he sent me a call for some decoys, and I refused to open it until I had his decoys in the mail to him. I finally got to open it yesterday and put my own tune in it, and make a little sound file. I just wanted to show off a good friends craftmanship, as I believe he might be one of the best in the world making a true custom turn.

Havent blown a duck call all summer, a little rusty, but I did hit the bouncing hen on the first try. Im rushing air in a few spots and my transitions werent the cleanest, so forgive me on that. But I can scream it and i can get as soft as a whisper on this latest call that hes sent me. From top to bottom, this thing runs and it runs WELL! But just look at wild nature of his calls. Great dude, making great calls! This 9/11 call absolutely blew me away!

 

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William

I went and found Don's account on IG and gave him a follow. I really like what he's done for a band and hope he gives some insight on how he bends the flat coin into a band. The effect he's getting is outstanding. I need to go back and look and see if he shows his tone boards. That stuff always gets my curiosity and now that I'm making some giant duck calls in my shop my interest in duck call making is higher than it's been in years.

Speaking of Micarta I had an idea just a couple days ago for a call made from micarta like material that I plan to do a video on this upcoming year. A call from start to finish from my shop that incorporates vintage duck hunting into a call with a twist that to my knowledge has never been done. More later!

You mentioned reed material. Do you know of a supplier for reed material thicker than 14 mil? I need 25 mil or thereabouts for an experiment.

One last comment. There are a ton of call makers out there today and I don't even try and keep up with them because not only are there a lot, but they come and go so quickly. The guys that I like to follow are the ones that show their shops and processes. I'm not inclined to appreciate calls from makers that only show the finished product. I've seen enough calls in my life and unless it's something truly unique or the maker shares what he's doing I don't spend any time looking at them and I sure as hell won't buy one. These days there is too much marketing that feels like pandering to neophytes and not enough about the call itself or the hands that make it. Show me the inside of your shop and glimpses of your process and what makes your call unique and I'm a fan, more so if it is wood.
 
William

I went and found Don's account on IG and gave him a follow. I really like what he's done for a band and hope he gives some insight on how he bends the flat coin into a band. The effect he's getting is outstanding. I need to go back and look and see if he shows his tone boards. That stuff always gets my curiosity and now that I'm making some giant duck calls in my shop my interest in duck call making is higher than it's been in years.
Toneboards are easily copied unfortunately. People buy a call they like, run measurements around, drop it in a CAD file or have a jig made and they have a remake of the toneboard they like. The true art of guys taking off hair like material at a time to get the exact sound is a dying art. Of course, those that want their own, usually will find the time and the patience to do so. I truly have no idea how he made his, how he came up with his dimensions, but hes got a good one. The amount of hold I can get out of his call in superb. Kent eason is another absolute stellar call maker, and I am fortunate to have a few of his calls. His calls are demanding, got the bark and bite to get birds attention. I cant always get as soft on one of his calls though. But good golley a 5 note hen on an eason call is about as devastating as ive seen to get ducks to turn. Dougs calls just absolutely finish the rest in every sense. I can get down right quiet with dougs calls. Where I found his call to be devastating is in one hole where i get a lot of echo. I can just push the smallest of air through it and I dont get that unnatural echoing if I over blow or have a louder call. The bouncing hen, where it sounds like the call is running together in the video I posted, i only use in a field hunt. One day, I was hunting a little flooded corn field, and I heard a hen make this call. It mimics a corn kernal stuck in their throat and it just runs together. Its so different, that i would hit it so often and it just made birds put their wings away. Never had any success with it anywhere else, but in a dry field hunt, it can be deadly. Dougs call perform it flawlessly with very little effort and i attribute that to the amount of hold built into his toneboard.
Speaking of Micarta I had an idea just a couple days ago for a call made from micarta like material that I plan to do a video on this upcoming year. A call from start to finish from my shop that incorporates vintage duck hunting into a call with a twist that to my knowledge has never been done. More later!
Micarta is fun. Originally his trout design micarta is what caught my attention. That and he was the only one putting out colored ebonite for the longest time. Those two reasons were what made me reach out to Doug originally. Why I appreciated it was my own father was making knives at the time and making his own micarta handles. I saw the mess and the hassle he was going through to get his handles made. So when I saw Dougs stuff, I was in aww of his abilities and the micarta he was using. It spoke to his level of craftmanship before he even refined his calls to what they were today.
You mentioned reed material. Do you know of a supplier for reed material thicker than 14 mil? I need 25 mil or thereabouts for an experiment.
So I wish I knew. Seriously, its just that. I have a few sheets of it and I like it SO MUCH I trade decoys for more of the material. Im not allowed to know. There is a good freind in Cali who is big on the duck call scene and even competed for quite some time. He stumbled across a caller who was using this material and swore it had less sticking properties than mylar and wicked away moisture than any other material. All the meanwhile it performed just like mylar in a duck call. In turn this lets callers get more aggressive and as soft as they want, without the call sticking. Its a win all the way around for comp callers. Even to this day, he wont tell me exactly what it is. Drives me nuts a bit, but i have enough sheets to go through my entire collection of duck calls and still have some left over. For the sake of our friendship, I dont push the issue too much because apparently only a select few know about it, use it in their calls on the mainstream competition scene, and everyone that knows what it is has kept it beyond close to their chest. Ive been fortunate to use the material the last 2 years in my calls and it definitely does what was told to me... performs much better than mylar, especially from a sticking standpoint. It measures .12 mil in thickness. So right in between the .10 you see in j frames and .14 in cutdowns. Its kind of a middle of the road thickness.
One last comment. There are a ton of call makers out there today and I don't even try and keep up with them because not only are there a lot, but they come and go so quickly. The guys that I like to follow are the ones that show their shops and processes. I'm not inclined to appreciate calls from makers that only show the finished product. I've seen enough calls in my life and unless it's something truly unique or the maker shares what he's doing I don't spend any time looking at them and I sure as hell won't buy one. These days there is too much marketing that feels like pandering to neophytes and not enough about the call itself or the hands that make it. Show me the inside of your shop and glimpses of your process and what makes your call unique and I'm a fan, more so if it is wood.
Reach out to Doug. Let him know I sent you his way. Hes incredible in the sense he helps everyone. He, imo, is learning from the best and rubbing shoulders with all the right people in the call scene (Brad samples and Kent eason). I doubt he would turn you away or be overly secretive about his processes. He mentioned to me how he does the band trick, im in no position to speak to the process, as I cant truly comprehend it. But I bet he would share that with you. Super nice guy. Brad samples is another guru who I have heard will spend countless time teaching people the ins and outs of a duck call and how different cuts perform in different ways. Ive never had the desire to turn my own, so i have never spent much time learning this stuff. I just enjoy craftsmanship, material and performance.
 
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