After years of frustration and watching my smooth, sealed, and painted decoys have the grain raise I am asking for advice. Does this happen to everyone or am I doing something wrong. A recent batch carved of Wendel's cedar was particularly bad, is this a function of kiln drying and how little moisture is in the wood, such that as it reaches equilibrium it swells despite being sealed? In the most recent batch even tooling markes long since sanded smooth came out, likely due to swelling of small compressions (dents) from rasps etc.
I have used polyuerethane which seems to work better than shellac, though so many really good carvers have recomended shellac I went back to it and it had no better results. oil paints.
ideas?
I have used polyuerethane which seems to work better than shellac, though so many really good carvers have recomended shellac I went back to it and it had no better results. oil paints.
ideas?