Hunting Canvasbacks...

Pat Gregory

Well-known member
Excerpt from To Ride the Wind by H Albert Hochbaum...

"The gentleman with the paint brush was sanding the back of a small Canvasback decoy, one that had been given to his father nearly 50 years ago. It had been used on the marsh every year since. It was a Heron Lake decoy: small 11 inches breast to tail. The angular head and long bill were set saucily up on a two-inch neck. It was built like a boat beneath, fluted with a weighted keel. It rode the water as a live bird. Its eyes were round brass tacks, originally painted vermillion, but long since blackened. The body was dull grey-brown. White-backed, black-chested, brick-headed, bright-eyed Canvasback decoys simply did not work on the Delta Marsh; juveniles and old hens would not give them the time of day. And yet, up on the moulting lakes, a rig had to be mostly white-backed drakes or you could not pull anything in except stray hens and juveniles.

When hunting Canvasbacks, you had to set out your decoys in a spot which the Canvasbacks were using if you wanted a good shoot. You could set up near a pass or a point or along an edge which was followed to or from their feeding places. But if you wanted the decoys to work, you had to be near feed. Since the feed beds often were wide spread, the birds could come in at their leisure without paying any attention to the decoys. In fine weather, you might have to pick up several times before locating exactly the right spot, a place where the Canvasbacks felt they would like to join. On other days, in a heavy wind, you could read the situation easily, figure out exactly where the birds had to come in and then fill out your limit almost before you were settled in.

Bluebills and Redheads came in easily to Canvasback decoys, especially the small flocks. But, only two's and three's of Canvasbacks would come to a set-up of Redhead or Lesser Scaup blocks. Indeed, almost any duck would come into Canvasback decoys, if only to take a look. This would be early in the season, of course; later on, all ducks became decoy-wise and great skill was required to set out properly for a decent shoot even when there were lots of ducks around."

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The more I look at those Ducharme style decoys the more I think need a dozen or so in the rig next year.
 
Fred - 1950's canvasback hen decoy carved by Duncan Ducharme (St. Ambroise, Manitoba) and painted by Peter Ward (Delta Beach, Manitoba). Carved and painted for the Gaylord Rig on Lake Winnipegosis. I obtained it last year and took it home to hunt on the Delta Marsh with Paul Wait of Delta Waterfowl. Although the decoy hadn't been floated in over 50 years, it still floated great and lured canvasbacks within gunshot. A great example of the effectiveness of a simple decoy that captures the overall look and spirit of the bird. On the water, she was gorgeous...

In the 1920's when James Ford Bell bought the property on the Delta Marsh, coming from Minnesota, having hunted the Great Heron Lake, Bell brought Heron Lake decoys with him. Needing additional decoys, Bell tasked Ed Ward (Peter's dad) to find someone to copy the Heron Lake decoys. Ward found the Ducharme family, Little Joe, Dan and Duncan could make the decoys. That started the Delta Marsh Style of decoy, the pride of Manitoba.

Here are some pictures of the rig being painted by Peter Ward at the Gaylord Property circa mid-1950's. Clayton Gaylord looking on...

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And, a picture of Duncan Ducharme...

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Glad to share Fred! A canvasback hunters dream to hunt the Delta Marsh and to kill a canvasback over a true Delta Marsh Canvasback Decoy. A real milestone in my waterfowling career... It also taught me that we need to take some of these old, vintage decoys off the shelf and, let them do what they were built to do...

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Pat, you need to integrate that they were carved mainly from old telephone pole "stock" into that Ducharme decoy history snipit.

You likely know the standing joke in North Dakota...What is the State tree? Answer: The telephone pole!

My point? Those Prairie Province folks made do with whatever wood resource they had available to make a highly functional decoy, much like the "shanty artists" on the east coast,with decoy form "born" from local functional conditions of the water being gunned. Those Ducharme cans were designed to ride well in the steady chop generated by the near constant winds blowing on the prairie marshes they were hunted on.

The added benefit is that they look very good while doing their assigned task!
 
Great photos Pat. I lived in Winnipeg for several years and hunted the Delta area on a regular basis.

I have a newer canvasbak from the Duscharme clan I picked up in Portage in the early 90s.

Here's a picture of a Delta can from Patricia Flemmings book on Canadian decoys.


 
Rick - That is so true. I love how frugal and creative these men were in getting the job done. They decoys to lure ducks within gunshot, period... Heck, with the Ducharmes and Ben Schmidt, there wasn't a safe telephone pole anywhere in Michigan or, Manitoba.

Gary - Great bird! It's a Dan Ducharme. I've had one in my hands. I have a pair of old tacks I plan to use for a copy of a Dan Ducharme can someday... Thanks for sharing... Pat
 
Thanks Rick and Pat,
I was wondering why the elongated breast on the Ducharme decoys you guys have answered my question.
I am fast approaching that time where my waterfowling will be just a memory,but with the help of guys like you and sites like this and cobbling on a few decoys i can still enjoy.
 
Pat,

I was uncertain of which species of decoy to work on next, but you put me over the edge towards a Canvasback. I have yet to take one of these magnificent birds. Maybe this will be my year.
 
I was fortunate enough to hunt at the Jimmy Robinson Sports Afield Hunt Club on several occasions in the late 90s and early 2000s. Had some very memorable hunts on The Delta Marsh. The pictures on the walls of the clubhouse were a virtual who's who of famous people that had hunted there. What a fabulous piece of duck hunting history.
 
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